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Replicas: Notes on material history, 2017-2018

Replicas: Notes on material history, 2017, single channel video with 2.1 sound, 28'24''.
Password: replicas2017



Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings

Lost Paintings



Lost Bell, exhibition view.

Lost Sculptures, exhibition view.

Replica: Choir book of eartquakes, exhibition view.

Replica: Choir book of eartquakes, exhibition view.

Replica: Choir book of eartquakes, exhibition view.

Replicas: Notes on material history, exgibition view (projection room).

Replicas: Notes on material history, closing concert, 16 voinces singing 'Solo, solo, solo con el mar a solas' (Lorena Mal, 2017) and 'Réplica' (Lorena Mal y Emilio Hinojosa, 2015-2017).



Archive, exhibition view.

Réplica: Archive, exhibition view.

Records of diverse documents found during the research process of Replica (2015-2017). Archivo de la Sismoteca de la Universidad Nacional Autónoma de México.

Records of diverse documents found during the research process of Replica (2015-2017). Archivo de la Sismoteca de la Universidad Nacional Autónoma de México. Risographic prints and C-Prints. Variable dimensions.

Archive, all the histoic layers of the building (a pyramid, a convent since XVI century and the most recent a Contemporary Art Museum) , informe INAH

Replica: Archive [seismograms as night sky], C-print on archive paper, 30x25cm.

Archive: Historic bell broken during the Reform Laws, old seismogram broken, and wall of Templo de Loreto broken by an earthquake.

Photographic documentation from 1873 of the belltower of Ex Templo de Santa Teresa la Antigua found during the research for Lost Bell. Archive from Colegio Militar, C-print on archive paper, 15x20 cm

Photograph from the archive of archaeologist Elsa Hernández Pons, Excavaciones en el Ex Convento de Santa Teresa la Antigua, Proyecto Templo Mayor, INAH 1979-1980. C-print 15x22 cm

Lost Scultpures: Archive, exhibition view.



Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia

Open painting sessions. Return of the missing fragments of 12 paintings during the exhibition frame (Lost Paintings, 2017, 2018). Invited painters to collaborate: Manuela Romo and Eric Valencia



Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)

Replicas: Notes on material history (Process and archive: material heritage)



Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)

Replicas: Notes on material history (Process, archive of Replica: Composition for 30 earthquakes)



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