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Concrete Acoustics (Calle Dr Mora 7, 06050, Ciudad de México)

2016
concrete and architectonic materials are used to make visible the acoustic relations that are hidden in the space, based on an acoustic study used in science and construction engineering for mapping the behaviour of sound, the coordinate-specific scuplture solidifies a selection of sonic reflections and geometries happening in the space, occuping the sound original path of communication and taking the dimensions of the borders of the space it reveals, 3.5m x 10.39m x 19.36m.

Lugar de Trabajo, Cd. de México, 2019.

Installation views, Laboratorio Arte Alameda, Cd. de México, 2016.

Developed with the support of singhur projekte, Berlin and Laboratorio Arte Alameda, Mexico city.
Curated by Carsten Seiffarth.
Production and programming by Pablo Kobayashi.
Research support by Pablo Padilla (phD Physics, UNAM) & Alejandro Ramos (director of the postgraduate degree on Engineering of Digital Music Production, ITESM-CCM).

Temporal
Largo Aliento
Tree ring drawings
Uprising, after Ximeno y Planes
Carbon
Pulse Clock
Invisible Structures
Réplica
Concrete Acoustics (Christinenstraße 18-19, 10119 Berlin)
Concrete Acoustics (Calle Dr Mora 7, 06050, Cd. de México)
Those who said our things before us
Notes on material history
Solo, solo, solo con el mar a solas
Lost Paintings
Lost Bell
Lost Sculptures
Negation
The day is past and gone and gone and gone
500 years of Resonance (Mexico city, 1500-2015)
Universal Coordinated Time (Empty Quarters, UAE)
Synchrony