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Invisible Structures

2010-2012
2 channel video series (no sound) and drawings that gather descriptions of spaces that have been inhabited in different geographies were the interviewed used to live before migrating or moving out from the country or their current living place. The description of this spaces are memories where the participants go through without any time or narration restriction, sometimes speaking in their mother tongue or through the language they feel more comfortable, not knowing the objective of the recording. Afterwards, a frame by frame drawing process takes place and a visual form appears from the movements when describing each place and experience that builds it in that specific time.

"In 2010-2012, almost 10 years ago, I was asking myself if it was possible to escape representation and rather let things talk by themselves, i wanted to abandon the language we think we know and let other things to write their own forms. It was the first time I had a space that I could name studio and I think it was the first time I stop and listened, also literally, to more than 60 people that trusted in me, many of them without knowing me before and without any indication or knowledge of what did I wanted from them. I'd make them questions I was doing to myself, about how we remember, how the physical world shapes what we are, about how to see together that there are many times and many spaces. Each of them showed me different experiences through my own language and others unknown to me. This excercise of observation took me 2 years to edit only 8 of this encounters that silently speak about the spaces where they had lived before migrating, before moving, before being where there were in that moment. It took me weeks to draw frame by frame of each of their spaces, and it took me time to see there was a lot of me printed in the shape of their movements, that things never speak alone and is how we make them company. A whole day of non stop work ment 3 seconds to see. It was always a surprise what was I going to see there that I couldn't see before. Still today, I do want to continue to see more." Mexico city, July 2019

Exhibition view, ESPAC, Mexico city, 2019.

Exhibition view, Skowhegan NY, 2019.

Screening at Whyte Hotel Space, NY, 2014.

Exhibition view, MUNAE, Mexico city, 2012.

Exhibition view (video projection on building), UNARTE, Puebla, 2013.

Exhibition view, Jardín de las Culturas de Xalapa, Xalapa, 2013.

Screening at Ambulante, Veracruz, 2012.

Border, Mexico city, 2012.

Centro Nacional de las Artes, 2011.

Deep gratitude to all participants that stay anonymous from places in México, Cuba, Perú, Argentina, United States, Canada, Spain, Belgium, Rusia, Tajikistan, Korea, Nigeria & Japan.

Largo Aliento
Uprising, after Ximeno y Planes
Carbon
Pulse Clock
Invisible Structures
Réplica
Concrete Acoustics (Christinenstraße 18-19, 10119 Berlin)
Concrete Acoustics (Calle Dr Mora 7, 06050, Cd. de México)
Those who said our things before us
Notes on material history
Solo, solo, solo con el mar a solas
Lost Paintings
Lost Bell
Lost Sculptures
Negation
The day is past and gone and gone and gone
500 years of Resonance (Mexico city, 1500-2015)
Time Zones (Liwa desert, UAE)
Synchrony (or the gap between two beats)